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The Latest Breaking News from Rupert Goold

From incel culture to the White House: American Psycho’s dark hold on modern masculinity

As the musical version of Bret Easton Ellis’s notoriously gory book returns to the stage, its tale of 80s yuppie nihilism feels more relevant than ever in the era of Andrew Tate, Trump and tech bros

The Guardian - UK

If I was graduating now I wouldn’t go into theatre, says top director Rupert Goold

Rupert Goold is set to take up a new position at the Old Vic later this year

The Independent UK

Ruth Wilson on her return to the West End stage, the threat from AI, and why London tops New York

Ruth Wilson fears for screen stars, but as she returns to the West End stage, she says theatre is in fantastic shape — and things are looking up for women of a certain age, too

Evening Standard

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The Almeida theatre has a coup in Dominic Cooke: this gifted director is also a proven talent spotter

Moving easily between daring new work from the likes of Jez Butterworth to lucid fresh takes on the canon and heartful musicals, Cooke is an optimal new leader

The Guardian - UK

Dominic Cooke appointed as the Almeida theatre’s artistic director

Cooke, who ran the Royal Court for several years, will succeed Rupert Goold at the illustrious London venue in 2026

The Guardian - UK

Stars, shockers, psychos and evangelists: Rupert Goold’s mighty end to his high-wire Almeida tenure

A smattering of famous names, a big-ambition project, a gay classic and a musical thriller … the powerhouse artistic director’s final productions have all his hallmarks, showing how he made this small theatre so formidable

The Guardian - UK

The week in theatre: Hamlet; Much Ado About Nothing; Richard II – review

Luke Thallon is a compelling, all-at-sea Hamlet, Hayley Atwell and Tom Hiddleston sizzle as Beatrice and Benedick, while Bridgerton’s Jonathan Bailey is a bit too much the overreaching king

The Guardian - UK

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Rupert Goold is an audacious innovator. He will make waves at the Old Vic

Having worked his magic as director of the Almeida theatre, the gifted Goold is bound for greater glories: the National had better watch out

The Guardian - UK

Rupert Goold to join The Old Vic as artistic director after leaving the Almeida

Goold oversaw productions such as Tammy Faye, Spring Awakening, Richard III, Patriots, King Charles III and Ink at the Almeida

Evening Standard

Rupert Goold named as next artistic director of Old Vic

Goold says he is seeking new challenge after more than a decade in charge at the Almeida theatre

The Guardian - UK

The Old Vic announces Rupert Goold as new artistic director

Goold said he will be joining with ‘excitement and trepidation’

The Independent UK

Tobias Menzies on starring at the National and how playing Prince Philip in The Crown made him a leading man

The actor, who has also been in Rome, Game of Thrones and Outlander, on his latest stage role in The Other Place, a look at post-Brexit England

Evening Standard

Jude Bellingham added to BBC’s Dear England adaptation after last-minute bicycle kick goal

Playwright James Graham says the length and ending of the BBC version will depend on England’s performance at Euro 2024

The Independent UK

Cold War at Almeida Theatre review: Pawel Pawlikowski’s doomed love story, brilliantly translated to the stage

Mulled wine and festive cheer? Forget about it, and see this bleak postwar love story unfold instead

Evening Standard

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The Guardian - UK

The best theatre to stream this month: That Face, Macbeth and Dance Umbrella

Our roundup of stage shows to watch at home includes a revival of Polly Stenham’s debut play, London’s international dance festival and Patrick Stewart suffering toil and trouble

The Guardian - UK

Oscar-nominated romance Cold War to have major London stage adaptation

Elvis Costello songs to feature in play by Girl from the North Country’s Conor McPherson, directed by Rupert Goold at Almeida theatre

The Week

Dear England review: James Graham ‘hits the back of the net’ once again

Since 1966, the England men’s football team has had an unerring ability to dash a nation’s dreams, said Andrzej Lukowski in Time Out. So a play about the squad’s supposed “resurrection” under manager Gareth Southgate feels “potentially hubristic” – and at risk of “dangerously overhyping a gifted man who still…

The Guardian - UK

The week in theatre: Dear England; The Pillowman; The Third Man – review

Joseph Fiennes scores as Gareth Southgate in a rousing football drama; Lily Allen glimmers in a low-voltage Martin McDonagh revival; and a musical Third Man hits a bum note

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news in one place.

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The Guardian - UK

Safe pair of hands or time for a shakeup: who’s going to get the biggest job in UK theatre?

After Rufus Norris’s departure from the National Theatre, who is most likely to be the London powerhouse’s next artistic director? We look at eight potential candidates

The Guardian - UK

‘I want it to feel quite feral’: Rebecca Frecknall on staging Romeo and Juliet

From Cabaret to Streetcar, the West End’s hottest director Rebecca Frecknall has a reputation for finding leads who put bums on seats. ‘I just go on my gut,’ she says

The Guardian - UK

Olivier awards toast the screen stars storming it on stage

Normal People’s Paul Mescal and Killing Eve’s Jodie Comer took acting prizes at the ceremony while the Almeida’s success shows Rupert Goold has a winning formula

Evening Standard

Streetcar director Rebecca Frecknall: ‘I thought Paul Mescal was too young for Stanley but Brando was only 27’

Since her breakthrough show in 2018, Frecknall has gone from being virtually unknown to one of theatre’s most in-demand directors

The Guardian - UK

The week in theatre: Women, Beware the Devil; Romeo and Julie; Shirley Valentine – review

Director Rupert Goold and co have a field day with Lulu Raczka’s elusive new Jacobean folk horror; star-crossed Cardiff teenagers snare hearts and minds; and Sheridan Smith makes Willy Russell’s midlife monologue her own

The Guardian - UK

Women, Beware the Devil review – bizarre comedy horror is like Bridgerton on acid

Lulu Raczka’s new play, directed by Rupert Goold, is beautifully designed but the plot – and the point – is puzzling. Maybe the joke’s on us?

Evening Standard

Women, Beware the Devil’s Lydia Leonard on the new Almeida show and playing Cherie Blair in The Crown

‘It was like being on Stars in Their Eyes’

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