Sir Ian McKellen leads UK premiere of mixed-reality theatre show An Ark An Ark is a 47-minute play written by Simon Stephens. Evening Standard · Oct 13
The Oresteia review – Simon Stone’s patchwork tragedy is a gripping and exasperating epic Mary-Louise Parker gives a powerhouse performance in a three-part drama that cuts up Aeschylus’s chronology and adds shades of other plays The Guardian - UK · Jul 15
Paddington The Musical tipped for glory at Olivier Awards The musical has received rave reviews since opening at the Savoy Theatre in London in December. Evening Standard · Apr 11
‘We had to stop the show 10 times’: Meet Rosie Sheehy, the Olivier nominee in the year’s most devastating play INTERVIEW: The brilliant Welsh actor has been nominated for the Best Actress award for the second year running. She tells Ellie Harrison about starring in ‘Guess How Much I Love You?’, the play so sad she warned her own friends not to see it The Independent UK · Apr 10
Paddington The Musical up for 11 Olivier Awards Hollywood stars Rachel Zegler, Cate Blanchett and Rosamund Pike are also nominated for the awards, which celebrate their 50th anniversary this year. Evening Standard · Mar 5
Guess How Much I Love You? review – shattering portrait of a pregnancy in crisis Rosie Sheehy and Robert Aramayo excel as a couple reeling from an ultrasound scan in Luke Norris’s extraordinary play The Guardian - UK · Jan 23
Guess How Much I Love You? at the Royal Court Theatre review: harrowingly powerful 4/5 Exceptional performances from Rosie Sheehy and Robert Aramayo drive this bleak and brutal play Evening Standard · Jan 23
‘A new form of theater’: can Ian McKellen, 52 cameras and ‘mixed reality’ reinvent a medium? At the Shed in New York, attendees wearing enhanced glasses are witnessing an experimental new play where actors appear in video form The Guardian - US · Jan 21
The Brightening Air review – shades of Vanya as a Sligo family squabble, tease and wrestle Terrific performances from Chris O’Dowd and Rosie Sheehy lead a populous family drama hinging on a broken-down country farmhouse The Guardian - UK · Apr 25, 2025
The Brightening Air at the Old Vic review: this slice of 1980s Irish life is hilarious and achingly moving 4/5 Conor McPherson is a singular writer and a phenomenal director Evening Standard · Apr 25, 2025
‘To hell with RP’ … how surprise Olivier nominee Rosie Sheehy is following in Richard Burton’s footsteps To survive in acting, she thought she had to nail received pronunciation. Then she remembered Port Talbot’s extraordinary lineage, reverted to her native accent – and everything changed The Guardian - UK · Apr 16, 2025
An Interrogation at Hampstead Theatre review: Rosie Sheehy is utterly compelling 3/5 This tale of a detective interviewing a murder suspect is given added spice by the electric performances Evening Standard · Jan 24, 2025
The week in theatre: Machinal; Blue Beard; The Cord – review Richard Jones’s supercharged staging of Sophie Treadwell’s 1920s masterpiece hits like a fist; Emma Rice subverts a dark fairytale with circus gaiety; and a young couple unravel beautifully in Bijan Sheibani’s latest The Guardian - UK · Apr 28, 2024
A Midsummer Night’s Dream review – characters mash, worlds invert and flames burst from fingers Eleanor Rhode’s ravishing fusion of flamboyancy, surrealism and raucous fun rouses audiences in a youthful, energetic riot The Guardian - UK · Feb 14, 2024
Evening Standard · Jan 15, 2024 Critically acclaimed Machinal to transfer to the Old Vic with 'gobsmacking' lead Rosie Sheehy Sophie Treadwell's 1928 play comes to London after a sell-out run at Theatre Royal Bath
The Guardian - UK · Oct 31, 2023 Machinal review – spare yet shocking revival of 1920s play on female criminality An excellent cast give the story of Ruth Snyder, a woman executed by electric chair in 1928 for killing her husband, a cleverly inventive, chillingly modern update
The Guardian - UK · Aug 1, 2023 The best theatre to stream this month: Doctor Who does Shakespeare, and a visit to the nit nurse Ncuti Gatwa stars in A Midsummer Night’s Dream and Zadie Smith relocates Chaucer to Kilburn, plus dance, storytelling and fringe drama
The Guardian - UK · Mar 5, 2023 The week in theatre: Women, Beware the Devil; Romeo and Julie; Shirley Valentine – review Director Rupert Goold and co have a field day with Lulu Raczka’s elusive new Jacobean folk horror; star-crossed Cardiff teenagers snare hearts and minds; and Sheridan Smith makes Willy Russell’s midlife monologue her own
Evening Standard · Feb 22, 2023 Romeo and Julie at the National Theatre review: an enthralling love story that asks big questions It’s a Sin’s Callum Scott Howells is intensely watchable in a performance that gives off a low-key Paul Mescal vibe
The Guardian - UK · Feb 13, 2023 Babygrows are such sweet sorrow: Romeo and Juliet get a gritty romcom reboot Romeo, an out-of-work single dad, falls for Julie, a top student who dreams of being an astrophysicist. We go behind the scenes at a Shakespeare update that swaps fair Verona for Splott in Cardiff
Daily Mirror · Sep 1, 2022 Richard III: The RSC creates history with groundbreaking production Arthur Hughes becomes the first disabled actor ever to perform the lead role as the wicked royal 'crookback' at the Royal Shakespeare Theatre
Daily Mirror · Aug 26, 2022 All's Well That Ends Well: Shakespeare for the Instagram generation The Bard's dark 'problem play' is turbo-charged in a thrilling new production that takes it hurtling into the 21st century to give it new relevance
The Guardian - UK · Aug 26, 2022 All’s Well That Ends Well review – problem play gets a tasty Gen Z makeover Rosie Sheehy dazzles as a woman calling the shots in this feverish production that underlines the play’s curious ambiguities