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The Latest Breaking News from Roger Hodgson

“Their albums hadn’t accomplished much. I went to see them and liked them, especially the new songs… I then witnessed their break-up”: How manager Dave Margereson rebuilt Supertramp and helped them deliver a set of classic prog albums

With an approach based on belief and cameraderie, the self-described captain of the band’s pirate ship steered them from failing pop group to hit records including Crime Of The Century and Breakfast In America

“I played it to Jon Anderson and his son. They were both crying – which was either a huge compliment or a disaster!” Trevor Rabin and Jon Anderson unlock the secrets of Yes's overlooked Talk

“I played it to Jon Anderson and his son. They were both crying – which was either a huge compliment or a disaster!” Trevor Rabin and Jon Anderson unlock the secrets of Yes's overlooked Talk

30 years on, band members reflect on their last LP with Rabin and Tony Kaye, giving the overlooked masterpiece the re-evaluation it deserves.

“It’s not a question of spirituality; it’s a question of right or wrong… he’s playing songs he didn’t even like at the time!” Supertramp co-founder Roger Hodgson’s beef with Rick Davies

“It’s not a question of spirituality; it’s a question of right or wrong… he’s playing songs he didn’t even like at the time!” Supertramp co-founder Roger Hodgson’s beef with Rick Davies

The breaking of a deal made when they went separate ways in 1983 made a 21st-century reunion impossible – although Hodgson said he’d offered and been rebutted

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“There have never been fisticuffs in this band… Just tense silences”: How Supertramp made the classic Breakfast In America

They were more likely to go out for dinner than indulge in drugs and groupies - but that didn’t stop their 1979 album becoming the second-biggest selling prog album of all time

“We’d fly into town, we’d place the road crew in the limos and we’d go in hire cars… we were in it for the music, not the personalities”: John Anthony Helliwell recalls Supertramp’s glory days

Saxophonist, keyboardist and backing singer became the voice of the band between songs because no one else wanted to do it

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