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The Latest Breaking News from Richard Eyre

Helena Bonham Carter and more cast in The Housekeeper

The Housekeeper, a fictionalised story of the inspiration behind Rebecca, has added Helena Bonham Carter to its cast.

BANG Premier

Tom Stoppard: a beloved and monumental literary figure

Letters: Readers reflect on the playwright’s life and legacy

The Guardian - UK

Prunella Scales obituary

Versatile stage and screen actor who found TV comedy fame as Sybil Fawlty and later played Elizabeth II on stage

The Guardian - UK

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read the most diverse news in one place.

‘The man who came to read the metre’: Yorkshire poet Tony Harrison was the National Theatre bard

Harrison, who has died aged 88, wrote copiously for the stage, both as an ingenious translator and dazzlingly original dramatist

The Guardian - UK

You won’t believe the twists in this psychological thriller starring Cate Blanchett — and you can stream it now on Hulu

In "Notes on a Scandal," Judi Dench is also astonishing as a lonely spinster who discovers that her colleague is having an affair with an underage pupil

Tom’s Guide

Curtain up! Meet the new artistic directors with great plans for British theatre

Our theatre critic welcomes inspiring developments at stages across the UK, from the Young Vic to the Liverpool Everyman while, below, some of the top new recruits talk about working post-pandemic in an era of funding cuts – and share the secrets of their trade

The Guardian - UK

Indie films losing out to obsession with bankable stars, says Richard Eyre

British director whose career is being celebrated at the BFI says creative industry increasingly wants safe bets

The Guardian - UK

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Lynne Kirwin obituary

Other lives: Theatre publicist who worked on productions at the National, the Young Vic and the Donmar in the 1980s, 90s and 00s

The Guardian - UK

Barbara Leigh-Hunt obituary

Highly expressive actor of impeccable technique that could encompass high comedy and full-blown tragedy

The Guardian - UK

‘We went bankrupt and had to set up the explosives ourselves’: Ian McKellen and Richard Loncraine on making Richard III

‘The movie changed my life,’ says McKellen of the 1995 film. ‘If Bryan Singer hadn't seen it, he would never have asked me to be in X-Men’

The Guardian - UK

TV tonight: Prince Harry, Hugh Grant and Paul Gascoigne on the phone hacking scandal

The royal speaks out in a major documentary about press intrusion. Plus, Linford Christie tells his remarkable but enraging life story. Here’s what to watch this evening

The Guardian - UK

Trevor Griffiths obituary

Politically committed dramatist and screenwriter admired for his radical stage and television work created over the last 50 years

The Guardian - UK

Tears, joy, yoga – and dreaded games: stage actors share their secrets of the rehearsal room

Preparation for a play is notoriously private affair. Here five acclaimed actors and the director Richard Eyre share their experiences

The Guardian - UK

Tom Wilkinson obituary

Versatile stage and screen actor who won a Bafta for his role as Gerald in the hit 1997 film The Full Monty

The Guardian - UK

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news in one place.

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The Guardian - UK

Indhu Rubasingham’s National Theatre in-tray: lure megastars, deal with crises and define an era

The incoming artistic director at the NT must lead the institution and the industry, while choosing plays new and old for three stages. The job is a test of nerve and integrity

The Guardian - UK

There goes the knighthood! How The Crown blew the palace doors off

A deluge of royal dramas is now being unleashed on screen and stage – with scant regard for accuracy. Is this The Crown’s legacy? As the lavish hit returns, we look at how it finally destroyed deference

The Guardian - UK

Ibsen’s Ghosts: a resounding flop that still returns to haunt us

Despite being panned as ‘a dirty act done publicly’ on its London premiere, the tragedy is now regarded as a classic – here are three productions that radically shifted our perspective

The Guardian - UK

A Voyage Round My Father review – Rupert Everett brings soft focus to John Mortimer’s play

Richard Eyre’s production of the father-and-son drama has some strong performances but is too light to really probe the play’s plaintive depths

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The Guardian - UK

Stephen Wood obituary

Other lives: Head of the press office at the National Theatre and executive director at the Stephen Joseph theatre in Scarborough

The Guardian - UK

4000 Miles review – Eileen Atkins and Sebastian Croft connect in tale of distant relations

Amy Herzog’s play about a grandmother surprised by her grandson is given a contemplative staging by Richard Eyre

The Independent UK

‘You can’t sort out the NHS without sorting elderly care’: Richard Eyre on his new geriatric ward film and the government’s state of ‘panic’

The great stage director talks to Louis Chilton about taking on Alan Bennett’s ‘Allelujah’ and the crisis of morality at its heart

The Guardian - UK

‘The funniest stuff is just chatting’: Jennifer Saunders on coping with modern life and why family comes first

For years, Jennifer Saunders’ silliness, zaniness and gleeful vulgarity has made her one of our most brilliant comedians. But now she finds herself doing ‘active acting’. She talks about postboxes, puzzling and why she couldn’t be happier

The Guardian - UK

‘We fetishised being young – it’s just stupid!’: Judi Dench and Richard Eyre on ageing, Covid and saving the NHS

Shot in 2021, a film of Allelujah, Alan Bennett’s 2018 play set on a geriatric ward, is released next month. How relevant does it remain? Its stars, including Jennifer Saunders and Bally Gill, share their thoughts during production – and more than a year later

The Guardian - UK

The week in theatre: The Clinic; The Snail House; Who Killed My Father; Walking With Ghosts – review

Family celebrations go pear-shaped in Dipo Baruwa-Etti’s mischievous new play; Richard Eyre’s writing debut falls mysteriously flat; and Gabriel Byrne brilliantly channels his early Dublin years

The Guardian - UK

Down with the rich! Class rage fuels new wave of ‘us v them’ films and plays

From Triangle of Sadness and Parasite to The Maid, audiences are revelling tales of inter-class violence that draw on growing discontent at inequality

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