Cool Machine by Colson Whitehead: A triumph of molls, dolls and deadpan humour
After any chapter of Colson Whitehead’s Harlem Trilogy, I feel as though I am reading a particularly operatic story by Damon Runyon, complete with molls, dolls and Broadway-laden side-eyes. It is the kind of widescreen social drama that immediately reads like a screenplay. With pitch-perfect colloquialisms and deadpan humour, these…
Evening Standard ·