Monumental Messa da Requiem opens Glasshouse Theatre After a life-changing experience seeing Verdi's Messa da Requiem, a Queenslander has found herself on stage for the first big production at Glasshouse Theatre. AAP · Mar 27
Australia has a new autism strategy but questions remain for those who don’t get NDIS support Today the federal government released Australia’s first National Autism Strategy, with A$42 million of funding for the first stage of the strategy. The Conversation · Jan 14, 2025
What’s behind the spate of arts leadership departures in Australia? Perhaps a mismatch of values The past few months has seen the sudden departure of leadership from some of the country’s most prestigious artistic companies: the Melbourne Symphony Orchestra, Queensland Ballet, Queensland Theatre, Opera Australia and the Adelaide Festival. The Conversation · Sep 29, 2024
Funding woes put ballet school at risk of curtain call Queensland Ballet's academy faces the prospect of closure, say the dance company's leaders who are calling for more federal funding to ensure its survival. AAP · May 31, 2024
First woman to helm Qld ballet, replacing Li Cunxin The Queensland Ballet has named its first female artistic director, Leanne Benjamin, to replace Li Cunxin. AAP · Dec 20, 2023
Li Cunxin: ‘I wake up, and I’m looking at the sky thinking, why am I here?’ Heart troubles have forced Mao’s Last Dancer and the Queensland Ballet artistic director to finally reckon with retirement. He is scared, optimistic, but most of all grateful The Guardian - AU · Oct 27, 2023
Mao’s Last Dancer Li Cunxin announces retirement from Queensland Ballet The man behind the story of Mao's Last Dancer and the artistic director of the Queensland Ballet has announced his retirement. The New Daily · Jun 20, 2023
Li Cunxin retiring from Queensland Ballet due to ‘serious health concerns’ The 62-year-old ballet dancer and author of bestselling memoir Mao’s Last Dancer is retiring after 11-years as artistic director, having been diagnosed with a heart condition The Guardian - AU · Jun 20, 2023
Australian stages are packed with great shows – so why aren’t people booking tickets? The subscription model is ‘broken’, sales are unpredictable, and audience behaviour may have shifted for good. But not every state is equal The Guardian - AU · Sep 25, 2022