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The Latest Breaking News from Phyllis Nagy

Aliens, activists and art: the five best films added to US streaming this week

Highlights include Jordan Peele’s thriller Nope, the prescient abortion drama Call Jane and Oscar-nominated documentary All the Beauty and the Bloodshed

The Guardian - US

Call Jane stars Elizabeth Banks as a housewife driven to obtain an illegal abortion in 60s Chicago

Denied a legal abortion, Elizabeth Banks' character joins an activist group in the new film from Carol screenwriter Phyllis Nagy, which highlights the ongoing precarity of reproductive healthcare.

ABC News

Gemma Arterton’s big-budget Dusty Springfield biopic mysteriously binned

The actress was set to star as the legendary singer in a new film

Evening Standard

From analysis to the latest developments in health,
read the most diverse news in one place.

Call Jane review – timely, if occasionally jarring, abortion drama

Elizabeth Banks and Sigourney Weaver are charismatic in Phyllis Nagy’s directorial debut, about a group of women in the 60s providing abortions outside the law

The Guardian - UK

Movie review: Timely but opaque, 'Call Jane' doesn't resonate as it should

“Are you Jane?” It’s a question that Chicago housewife Joy (Elizabeth Banks) repeatedly asks, as she calls a number from a flyer, is picked up, blindfolded, driven to a nondescript office where she receives an illegal, but safe, abortion from an unfeeling doctor (Cory Michael Smith), and is then cared…

Tribune News Service

Call Jane director Phyllis Nagy on the pre-Roe v Wade activists who inspired her movie with Elizabeth Banks

The filmmaker had no idea just how relevant her movie, about a woman seeking an abortion in the 1960s, would become

Evening Standard

Phyllis Nagy: ‘Knowing Patricia Highsmith changed my thinking about how a female writer could live’

The American director and screenwriter on her new film about abortion activists in the 60s, Roe v Wade being overturned, and her ideal next Bond

The Guardian - UK

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Call Jane review – abortion drama is sensitive if not revelatory

Screenwriter Phyllis Nagy’s film on the pre-Roe underground abortion network features strong performances but never rises to a rousing battle cry

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