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The Latest Breaking News from Phil Barker

“You can take the back of this guitar off and the thing stays in tune as well as if it had the back on”: How L.R. Baggs reinvented the acoustic electric guitar

Delivering convincing amplified acoustic guitar tone is one of the hardest feats for guitar makers – but somehow L.R. Baggs cracked it. Lloyd Baggs shares its story of radical innovation

Guitar World

“A real journeyman instrument that channels the Gibson classics yet ends up very much its own thing”: Knaggs Kenai Hollowbody Genie review

With a nod to Bowie style, this latest Knaggs Hollowbody creates one of the finest Kenais we’ve played over the past 15 years. TheGenie is truly out of the bottle!

Guitar World

“Makes you forget the fact that one of these will cost you a fifth of what you’d pay for something with the Murphy Lab moniker”: Epiphone Inspired By Gibson Custom 1962 ES-335 Reissue review

Ted McCarty’s finest creation gets the Epiphone ‘Inspired By’ treatment. Featuring Gibson USA Custombuckers, real rosewood fingerboard and top-notch hardware, expectations are high

Guitar World

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“What you’re getting here is a perfect melding of vintage sound with modern practicality”: Strymon EC-1 Single Head dTape Echo review

Strymon’s standalone emulation of an Echoplex offers ahost of adjustable parameters to tailor your sound

MusicRadar

“The warm wash of top-class tone we experienced from both these guitars was impossible to resist”: Fenech VT Camphor Laurel Auditorium and VT Professional Blackwood Dread D78 review

An Australian brand with a burgeoning reputation down under steps into the limelight with a pair of hand-built acoustics that incorporate premium tonewoods and a sharp eye for design

Guitar World

“There’s something here for all drive lovers. Bit of a game-changer, this one”: Crazy Tube Circuits Venus review

Crazy Tube Circuits takes on a classic tube overdrive pedal and makes it accessible and relevant for the modern ’board

Guitar World

“A versatile overdrive and a high-quality octaver – two pedalboard mainstays in one box”: Darkglass Electronics Kaamos review

Darkglass and session ace Amos Heller team up to create something a little out of the ordinary

MusicRadar

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“These guitars really come across as a very boutique, artisan pair of instruments… Above all, they’re not just another copycat design”: Eastman Fullertone SC ’52 and DC ’62 review

Last year’s D’Ambrosio series guitars signified numerous firsts for Eastman, not least that they were US-made with boutique prices to match. These new FullerTones capture the magic at a fraction of the price

Guitar World

“If you think PRS just makes guitars for well-heeled doctors and dentists, you might have to change your opinion”: PRS SE NF 53 review

A new month, a new PRS. This time the USA NF 53 gets the affordable SE treatment

Guitar World

$“An ultra-flexible way into the Tone King sound for a quarter of the price, and a fraction of the size and weight of the amp it’s based on”: Tone King Imperial Tri Tube Preamp review$

“An ultra-flexible way into the Tone King sound for a quarter of the price, and a fraction of the size and weight of the amp it’s based on”: Tone King Imperial Tri Tube Preamp review

Tone King's latest arrival miniaturises the celebrated Imperial amp, for the fly-rig crowd

Guitar World

“People hear surf guitar in our music, but I think that comes more from the fact Dick Dale was Greek – so Misirlou was a Greek tune”: Introducing LA LOM, the LA trio turning fiberglass guitars and psychedelia into a dance party of guitar instrumentals

This trio fuse the rhythms of Havana, Medellín and Lima with ’60s surf rock (even if that isn’t their intention). Guitarist ZacSokolow, bassist Jake Faulkner and drummer Nicholas Baker tell us how it all comes together

Guitar World

“One heck of a rock ’n’ roll vision that sounds glorious and has huge tonal flexibility. Oh, and it doesn’t look like a Fender!” Newman Honeycomb Senior review

It started with a five-string, now the UK-made Newman range has a fully formed six-string with dual swappable pickups and oh-so-’70s credentials

Guitar World

“If you seek complete Vox-style satisfaction without shortcomings or compromises, the Era 30 comprehensively delivers on all fronts”: Bad Cat Era 30 review

Legendary amp designer Mark Sampson’s final opus for Bad Cat is the culmination of a lifetime of design excellence and could be his finest creation

Guitar World

“Unbeatable... A guitar built for sessions, ready for all occasions”: Duesenberg Alliance Series Tom Bukovac Session Man review

One of the world's G.O.A.T. sessions players gets a candidate for G.O.A.T. signature guitar – a stunning semi-hollow with dual humbuckers and a piezo, and a vibrato, and... well, it's a lot of guitar

MusicRadar

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Guitar World

“This pedal will take you straight to the heart of the action and give an almost limitless palette of sound”: Walrus Audio Qi Etherealizer review

This signature collaboration with Yvette Young incorporates chorus, delay, grain effects and reverbs for atmospheric soundscapes

Guitar World

The Last Editor: The musical life of Chris Bird, the final Editor of Total Guitar

The musical life of Chris Bird, the final Editor of Total Guitar

Guitar World

“We can see this dividing opinion more than almost any guitar we’ve reviewed”: Atkin JH3001 review

What happens when charmingly bonkers rockstar Justin Hawkins is given free rein to design his own guitar? Guess what? He comes up with something charmingly bonkers!

Guitar World

“Brings the sound of the gods down to the volume-restricted reality of us mere mortals”: Marshall 1959 Modified & JCM800 Modified review

The gatekeepers at Marshall have finally unlocked beastmode, releasing two brand-new Modified high‑gain amps. Time to plug in!

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Guitar World

“The catalog proclaimed the instrument to be: ‘For the young artist with a flair for showmanship!’”: Guild Starfires appeared in the hands of The Kinks’ Dave Davies and Jerry Garcia, and shook up the electric guitar scene in the early '60s

By the late '50s, rock ’n’ roll was in full swing – and so for Guild, a ‘jazz guitar’ maker, it was time to catch up. Enter the Starfire electrics…

Guitar World

“That’s one of the first things Phil said to me, ‘You’re in, but we gotta change that guitar’”: Scott Gorham may have passed his Thin Lizzy audition – but his budget Les Paul copy certainly didn’t

The Irish rockers finally found their man after auditioning 24 hopefuls when Gorham turned up for his turn – but Phil Lynott was left underwhelmed by his choice of instrument

Guitar World

“I love my Strat; I’m a Strat guy through and through, but I just needed a guitar with humbuckers”: Cory Wong on the making of his signature StingRay and how Vulfpeck just, y’know, made an album during a show

The funkmeister guitarist is back with a whirlwind of new recording projects in his wake, and a fresh new signature guitar by his side

Guitar World

"With a little patience and dedication to experimenting, you’ll unlock a satisfying range of serviceable sounds": Harley Benton DNAfx GiT multi-effects pedal review

Harley Benton's budget multi-stomp looks to deliver the building blocks of tone, but it requires you to tweak the presets on a molecular level

MusicRadar

"A versatile jack-of-all-trades, with some excellent displays of mastery at times": Fender Player II Modified Precision Bass review

Fender’s workhorse-series P-Bass gets some performance-enhancing additions, as well as a tone control that works in passive mode

Guitar World

Played by everyone from Magic Sam and Otis Rush to Stevie Ray Vaughan, Robbie Robertson, Noel Gallagher, and Robben Ford, the Riviera remains Epiphone's semi-hollow superstar

The Riviera played a crucial role in Epiphone's evolution through the New York jazz clubs of the 1920s, '50s electric blues, to today’s vibrant, diverse scene – and it might be the brand's GOAT

Guitar World

“What blew me away was that everyone wanted the curly maple top. People were calling, saying, ‘I’ve got to have the bird inlays’”: Paul Reed Smith on raising the Standard 24, finally cracking the noise-free guitar and why John Sykes is a tone hero

We take Paul Reed Smith back to the start of his 40-year-old company to discuss the new Standard 24 and quite a bit more

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