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The Latest Breaking News from Noémie Merlant

'Emmanuelle': A remake of an erotic phenomenon for our era

It was a low-budget, erotic film that became the most successful French movie of the time. "Emmanuelle" went on to be the symbol of the sexual liberation and free love of the 1970s. Fifty years after Just Jaeckin's softcore movie first became a global phenomenon, a remake is being released…

France 24

Cannes Film Festival 2024 highlights: our verdict is in

What to watch or not to watch – cut to the Cannes Film Festival 2024 highlights

Wallpaper

The Balconettes review – neighbours finding trouble in invitation to hot guy’s flat

Noémie Merlant’s first film as a director is relentlessly silly, self-indulgent and unsuited to its themes of misogyny and sexual violence

The Guardian - UK

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Stranger Things and White Lotus star's erotic drama Emmanuelle teases first look

Jamie Campbell Bower, Will Sharpe, and Noémie Merlant are set to front Audrey Diwan's follow-up to Happening

Total Film

The Innocent review – hardened cons go romcom in appealing French caper

Louis Garrel directs and stars in a droll movie that builds a madcap momentum

The Guardian - UK

New movies out this week: Jun 7-13

New releases that hit Thai cinemas for your viewing pleasure.

Bangkok Post

The Innocent lands Louis Garrel in a screwball crime plot that makes for easy comic viewing

French actor-director Louis Garrel is perhaps best known as a heartthrob, but his latest film is a delirious family comedy inspired by his mum.

ABC News

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Film show: 'Dungeons and Dragons: Honour Amongst Thieves', the new fantasy blockbuster

From the big family fantasy blockbuster "Dungeons and Dragons: Honour Amongst Thieves" to this week's big French-language release, "Les Âmes sœurs" or "Soul Mates" by André Téchiné, which stars Benjamin Voisin and Noémie Merlant as siblings with a secret in their past, critic Emma Jones speaks to Eve Jackson about…

France 24

Tár review: Cate Blanchett is at her best in a nuanced take on #MeToo and cancel culture

Todd Field’s film is essentially about the whirlpools of discourse around #MeToo and ‘cancel culture’, but rarely in a way that feels like a polemic

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