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The Latest Breaking News from Markus Zusak

'Feast of fiction': spring renewal for Canberra Writers Festival

This year's festival has more fiction than politics.

The Canberra Times

Markus Zusak: ‘Yes, I swear at home and call my dog a bastard – that’s how we all live’

Markus Zusak: ‘Yes, I swear at home and call my dog a bastard – that’s how we all live’

The global bestselling writer on the wildness, love and sorrow that defines life with dogs

The Guardian - AU

Best books about books from Little Women and The Book Thief to Fahrenheit 451

Metafictional literature for mega bookworms

Evening Standard

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inkl

Author Markus Zusak knocked back Hollywood to make The Messenger TV series in Australia

The bestselling writer says he was offered "good money" to turn his novel The Messenger into a film or TV series in the US. But he decided it should be made in Australia.

The Messenger review – surreal adaptation of Markus Zusak novel is a mysteriously good time

It took a couple of episodes, but I relished returning to this ABC show about a young man who is mysteriously tasked with helping strangers

The Guardian - AU

‘I remember the exact words’: Markus Zusak on The Messenger – and the review he’ll never forget

In the lead-up to an ABC adaptation of his novel, Zusak talks about life after The Book Thief and why he thinks the show is better than his book

The Guardian - AU

Bridgerton, Muppets Mayhem and Ten Pound Poms: what’s new to streaming in Australia this May

Plus an adaptation of a Markus Zusak novel, a big-budget sci-fi mystery and an Australian creature feature

The Guardian - AU

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Best-selling novel The Messenger debuts as ABC series

Best-selling novel The Messenger debuts as ABC series

The Messenger, the story of an accidental hero based on Markus Zusak's best-selling novel, premieres in an eight-part ABC series next month.

The Book Thief review – assured and courageous musical adaptation of global bestseller

The Book Thief review – assured and courageous musical adaptation of global bestseller

The paean to the power of the printed word loses none of its earnest intent in a deft and tremendously delivered production adapted by author Jodi Picoult

The Guardian - UK

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