Review: Ensemble acting doesn’t get much better than in Sarah Polley’s brilliant ‘Women Talking’
For much of “Women Talking,” Sarah Polley’s suspenseful and galvanizing fourth feature, we are in the hayloft of a barn overlooking a remote stretch of farmland, with a lonely dirt road winding toward the horizon. The sunlight spilling in through the window seems to beckon to the eight women who…
Los Angeles Times ·
Los Angeles Times
