Next to Normal review – fizzing musical about mental illness The performances are superb in this tale of a family dealing with bipolar disorder but the storyline is thin The Guardian - UK · Aug 23, 2023
London Theatre Week 2023 is extended: our pick of the top 10 shows to book from A Strange Loop to The Effect With cheap tickets on offer these are our recommendations of shows to check out Evening Standard · Aug 21, 2023
Playwright Sam Holcroft: ‘It felt like everyone else got a rulebook that I didn’t’ Her latest play, A Mirror, mixes her keen eye for human behaviour and her experiences in North Korea, but there’s another influence that the writer has never spoken about – her autism diagnosis The Guardian - UK · Aug 11, 2023
The Effect review – Lucy Prebble’s intense and intoxicating encounter A love affair between two participants in a drug trial is staged by Jamie Lloyd with a stellar cast including Paapa Essiedu and Taylor Russell The Guardian - UK · Aug 10, 2023
The Wizard of Oz review – over the rainbow and into an arcade game This adaptation has a luminous performance from Georgina Onuorah as Dorothy and some great ideas but throws too much at the audience The Guardian - UK · Jul 6, 2023
Romeo and Juliet review – Rebecca Frecknall’s dance to the death This innovative, fast-paced production of Shakespeare’s tragedy, starring Toheeb Jimoh and Isis Hainsworth, has a beguiling intensity The Guardian - UK · Jun 15, 2023
Dear England: ‘Footballers are like the modern Gladiator; stadiums are our Colosseums’ James Graham’s latest play unearths the Shakespearean dramas within the great game, and finds an unlikely hero in Gareth Southgate Evening Standard · Jun 14, 2023
Giant review – medical ethics and 18th-century freakshows create a compelling new opera Sarah Angliss and Ross Sutherland’s taut tale of an 18th-century ‘giant’ and the doctor who wants his body for research is vividly realised in this Aldeburgh festival opener, with tenor Karim Sulayman towering in the lead role The Guardian - UK · Jun 11, 2023
‘There will be sex!’ Inside A Strange Loop – the queer, Black Broadway megasmash now hitting Britain The Pulitzer prize-winning musical shows the world what it’s like ‘to travel in a fat, Black queer body’. Writer Michael R Jackson, a former Lion King usher who based it on his life, relives his astounding success The Guardian - UK · Jun 6, 2023
‘I want it to feel quite feral’: Rebecca Frecknall on staging Romeo and Juliet From Cabaret to Streetcar, the West End’s hottest director Rebecca Frecknall has a reputation for finding leads who put bums on seats. ‘I just go on my gut,’ she says The Guardian - UK · Jun 2, 2023
‘There’s something Shakespearean about Gareth Southgate’: the epic play about England’s hero He came back from a disastrous penalty to reignite the English men’s football team – and inspire a country in the grip of gloom. Writer James Graham reveals how he turned the ‘quiet guy doing The Impossible Job’ into gripping drama The Guardian - UK · May 30, 2023
Once on This Island review – stirring Little Mermaid musical in colonial Haiti A young woman offers her life to save an unworthy aristocrat in a passionately sung fable of Caribbean history The Guardian - UK · May 18, 2023
The week in theatre: Retrograde; The Secret Life of Bees; Dixon and Daughters – review Kiln; Almeida; Dorfman, LondonIn his quickfire new McCarthy-era play, For Black Boys… creator Ryan Calais Cameron speaks his mind; a civil rights musical buzzes with potential; and Deborah Bruce’s domestic abuse drama is full of surprises The Guardian - UK · Apr 30, 2023
Retrograde review – toxicity meets integrity in exceptional Sidney Poitier drama Ryan Calais Cameron’s terrific three-hander dramatises a meeting in 1955 Hollywood, mapping the dilemmas that actors of colour still face The Guardian - UK · Apr 27, 2023
The Guardian - UK · Apr 21, 2023 Arminio review – confident staging returns Handel rarity to its starting point This lesser-known darkly compelling work is given a smart production that fizzes with contemporary relevance and puts female voices to the fore
The Guardian - UK · Apr 20, 2023 The Secret Life of Bees review – blazing songs light up civil rights drama A young white woman and her Black housekeeper flee across the American south amid the historic struggle, buoyed by astonishingly powerful music
Manchester Evening News · Mar 30, 2023 Production of My Fair Lady at Palace Theatre halted due to technical issues The hit musical had to be stopped due to a technical issue on stage
The Guardian - UK · Mar 29, 2023 Julius Caesar review – timeless account of the flimsiness of power Atri Banerjee’s RSC production stresses the remarkable universality of the play’s examination of leaders and the led
Evening Standard · Mar 21, 2023 Streetcar director Rebecca Frecknall: ‘I thought Paul Mescal was too young for Stanley but Brando was only 27’ Since her breakthrough show in 2018, Frecknall has gone from being virtually unknown to one of theatre’s most in-demand directors
The Guardian - UK · Mar 20, 2023 Patsy Ferran on pairing up with Paul Mescal in Streetcar: ‘The nerves just skyrocketed’ The actor had just a week to rehearse for A Streetcar Named Desire. Fortunately, her turn as tragic belle Blanche DuBois has audiences enchanted
The Guardian - UK · Mar 17, 2023 Further Than the Furthest Thing review – slow-burn study of seclusion and secrecy Set on a volcanic island, this play goes through dormant spells but its themes of colonial conquest are enriched by dazzling design and atmosphere
The Guardian - UK · Mar 12, 2023 The week in theatre: Top Girls; The Great British Bake Off Musical; Sleepova; Oklahoma! – review A revival of Caryl Churchill’s female power play has yet to settle; Paul and Prue become song-and-dance naturals; a fab four get ready for bed; and who can say no to this Rodgers and Hammerstein reinvention
The Guardian - UK · Mar 9, 2023 Top Girls review – Caryl Churchill’s classic with a Toxteth twist The drama of women trying to get ahead in Thatcher’s Britain is played with kitsch period detail that can distract from its still-relevant story
The Guardian - UK · Mar 5, 2023 The week in theatre: Women, Beware the Devil; Romeo and Julie; Shirley Valentine – review Director Rupert Goold and co have a field day with Lulu Raczka’s elusive new Jacobean folk horror; star-crossed Cardiff teenagers snare hearts and minds; and Sheridan Smith makes Willy Russell’s midlife monologue her own
The Guardian - UK · Feb 23, 2023 Women, Beware the Devil review – bizarre comedy horror is like Bridgerton on acid Lulu Raczka’s new play, directed by Rupert Goold, is beautifully designed but the plot – and the point – is puzzling. Maybe the joke’s on us?