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The Latest Breaking News from Lindsay Posner

Endgame review – Mathew Horne and Douglas Hodge bring macabre fizz to Beckett

As a pair of wisecracking vaudevillian entertainers, the stars balance the comedy and desolation in Lindsay Posner’s production

The Guardian - UK

The Deep Blue Sea at Theatre Royal Haymarket review: Tamsin Greig is shatteringly good

4/5 Terence Rattigan’s 1952 tragedy of quiet desperation is as potent as ever

Evening Standard

A View from the Bridge review: Dominic West gently reinvents Arthur Miller’s tragic hero

‘The Crown’ star is a man in freefall in a Miller revival that works its magic by being that rare thing: a really decent production of a really great play

The Independent UK

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A View From The Bridge at Theatre Royal Haymarket review: Dominic West delivers in an old-fashioned revival

This solid take on the classic Arthur Miller play has contemporary resonance though the production feels staid

Evening Standard

A View from the Bridge: revival with Dominic West and Callum Scott Howells will transfer to the West End

The Theatre Royal Bath production of Arthur Miller's celebrated 1955 play will be heading to London this spring

Evening Standard

Theatre: Clare Brennan’s five best shows of 2023

Our roving critic’s highlights include a bravura O’Casey trilogy, a Lionel Bart classic that delivered more, and a perfectly cast portrait of a marriage

The Guardian - UK

Dominic West, don’t be snooty about hit West End shows, they keep serious theatre alive

In dismissing such plays as the preserve of inattentive tourists, he ignores the fragile ecology of the industry

The Guardian - UK

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Farewell Mr Haffmann review – Nazi drama has weirdly comic overtones

The English-language premiere of Jean-Philippe Daguerre’s award-winning play hampers its seasoned cast with a complicated plot – bordering on farcical – about a Jewish jeweller hiding in a cellar in Nazi-occupied France

The Guardian - UK

Noises Off: the farce masterclass that is truly revealing

Michael Frayn’s comedy is not just extremely funny but also acknowledges the fragile artifice of order – in theatre and the world beyond

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