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Crimes of the Future: Léa Seydoux and Kristen Stewart toy with pleasure and pain in David Cronenberg body horror

Surgery is entertainment and pain is a thing of the past in David Cronenberg's dystopian blend of neo-noir detective story and visceral body horror: Crimes of the Future.

ABC News · Aug 19, 2022

Dune 2: everything there is to know about the franchise, from Zendaya and Denis Villeneuve to Florence Pugh

New arrivals fear not: there’s still plenty of time to catch up on where we are with the interstellar action-film

Evening Standard · Aug 5, 2022

'Dune: Part Two' casting fixes the creepiest thing about the novel

Léa Seydoux's Lady Margot in 'Dune: Part Two' could be a bigger game-changer than you think.

Inverse · Jul 14, 2022

Crimes of the Future, Cannes review: S&M kitsch and an arch Kristen Stewart result in mid-tier Cronenberg

In its lesser moments, the body horror maestro’s new film is clunky and very close to self-parody

The Independent UK · May 24, 2022

Crimes of the Future review – Cronenberg’s post-pain, post-sex body horror sensation

As he did with 90s hit Crash, the director creates a bizarre new society of sicko sybarites where pain is the ultimate pleasure and ‘surgery is the new sex’

The Guardian - UK · May 23, 2022

Léa Seydoux, once again, rules the Cannes Film Festival

The Cannes Film Festival, yet again, belongs to Léa Seydoux

The Independent UK · May 23, 2022

One Fine Morning review – Léa Seydoux sparkles in poignant drama

Mia Hansen-Løve returns to Paris with this powerful drama about a single mother torn between emotionally unavailable men

The Guardian - UK · May 20, 2022

Stomach-churning, creepy and surreal: David Cronenberg’s return to body horror

With Cronenberg’s latest film ‘Crimes of the Future’ about to screen in Cannes, Geoffrey Macnab looks at the director’s morbid fascination with body horror, and says it’s a real achievement if it provokes as much outrage as his bloodiest earlier works

The Independent UK · Apr 29, 2022

‘France’ review: Léa Seydoux plays a lost soul of French TV journalism

Writer-director Bruno Dumont’s “France” gives Léa Seydoux, most recently in “The French Dispatch,” a full range of emotions to tap. Some are real, some are reality-adjacent, some her character puts on like an outfit she hopes will fit.

Chicago Tribune · Jan 21, 2022