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Renée Zellweger’s Bridget faces new challenges in parenting and love, but it’s the familiar faces around her who deliver heart and humour in this unexpectedly poignant fourth outing

Papal thriller “Conclave” leads the race for the 78th British Academy while genre-bending musical “Emilia Pérez” faces a test of whether a global backlash has made the former prize favorite an awards-season pariah

Bridget Jones, the endearingly chaotic heroine who is unlucky in love, is back – but not as many might expect. This is the fourth Bridget Jones film, which adapts the story of the third book in Helen Fielding’s much-loved series (the third film, Bridget Jones’s Baby, was based on the…

Helen Fielding will "never forgive herself" for killing off Colin Firth's character in the 'Bridget Jones' franchise.

In the opening scene of Love, Actually, Hugh Grant’s character says how, whenever he gets gloomy with the state of the world, he thinks about the arrivals gate at Heathrow airport. The reason is on screen: we see couples kissing, old friends embracing, children smiling and laughing as they jump…

Renée Zellweger is back but Hugh Grant takes the plaudits for reprising his role

If you are kind and polite, you’ll find joy in even the weakest Paddington movie. 'Paddington in Peru' goes to great heights, even if it relies a bit much on physical comedy.

Ex-tabloid reporter shares how an encounter with Hugh Grant and Steve Coogan led to his acclaimed film about an Irish-language rap trio

The film character has come under scrutiny for being obsessed with her weight and wanting to find a man

Renée Zellweger looks as if she’s thinking of something else in weird fourquel that sees our heroine choosing between new suitors Leo Woodall and Chiwetel Ejiofor

4/5 Zellweger’s Bridget is now a widow – and romanced by both Leo Woodall’s younger man and Chiwetel Ejiofor’s kindly teacher – and this sequel, adapted from Helen Fielding’s third book in her series of novels, is vulnerable, honest and very funny