Beginner’s Gluck: how the 18th-century composer and a castrato changed opera forever
Over 250 years after Gluck’s Orpheus and Eurydice presented opera in a new way, an acrobatic staging aims to do the same. Iestyn Davies, whose Orpheus will be amid the tumblers, dancers and acrobats, writes of pushing boundaries – and heart-stopping wonder
The Guardian - UK ·
The Guardian - UK
