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The week in classical: The Handmaid’s Tale; Le Chemin de la Croix; Bournemouth SO/Karabits

Strong performances offset the misery in ENO’s new production of Poul Ruders’s opera. Elsewhere, Easter organ music and a cosmic world premiere

The Guardian - UK · Apr 16, 2022

The Handmaid’s Tale review – ENO’s production of Atwood’s dystopia is chilling but slow to convince

Poul Ruder’s opera is at its most effective in its quietest moments, with the all-female production boasting strong performances from leads Emma Bell and Kate Lindsey

The Guardian - UK · Apr 10, 2022

From The Bad Guys to Let’s Eat Grandma: a complete guide to this week’s entertainment

Whether it’s an animated heist caper you’re after, or a dose of swirling art-pop, our critics have your plans for the next seven days covered

The Guardian - UK · Apr 2, 2022