Charlotte Ritchie studies script in first-look rehearsal images for Cloud 9 The Call The Midwife, Ghosts and You actress is appearing in the production of Caryl Churchill’s landmark play. Evening Standard · Sep 28
‘Epic’ Game of Thrones stage adaptation The Mad King to transfer to London Stage prequel debuted to strong reviews at the RSC in Stratford-upon-Avon this year The Independent UK · Sep 4
‘Makes Christopher Nolan’s Odyssey seem understated’ – critics weigh up Game of Thrones: The Mad King ‘Spectacular’ or ‘stolid’? The reviews are in for the Royal Shakespeare Company’s prequel to George RR Martin’s fantasy blockbuster The Guardian - UK · Aug 10
‘Can’t stop smiling!’ The wait is over for epic Game of Thrones prequel The Mad King New play, which has been a decade in the works, opens at the Royal Shakespeare theatre in Stratford-upon-Avon after five previews were cancelled The Guardian - UK · Aug 8
Britain's Royal Shakespeare Company set to stage Game of Thrones prequel The Royal Shakespeare Company has announced plans to stage Game of Thrones: The Mad King - the prequel to one of the world's most popular television series. Euronews · Feb 20
Game of Thrones prequel to be staged by the Royal Shakespeare Company ‘Game of Thrones: The Mad King’ will premiere at the Royal Shakespeare Theatre this summer The Independent UK · Feb 19
Game Of Thrones to be adapted for theatre by Royal Shakespeare Company The critically acclaimed series will take the stage in Stratford-upon-Avon later this year. Evening Standard · Feb 18
‘Summer is coming!’: Royal Shakespeare Company to stage epic Game of Thrones prequel Novelist George RR Martin says RSC is ‘obvious choice’ to put on new play The Mad King, which will open after spring The Guardian - UK · Feb 18
Noughts & Crosses review – Malorie Blackman’s thought experiment confronts the audience anew Callum and Sephy are a modern Romeo and Juliet, forced to grow up fast as they wade through the crushing racial and class structures that pin them in their opposing places The Guardian - UK · Jul 9, 2025
The Almeida theatre has a coup in Dominic Cooke: this gifted director is also a proven talent spotter Moving easily between daring new work from the likes of Jez Butterworth to lucid fresh takes on the canon and heartful musicals, Cooke is an optimal new leader The Guardian - UK · Jun 5, 2025
Dominic Cooke appointed as the Almeida theatre’s artistic director Cooke, who ran the Royal Court for several years, will succeed Rupert Goold at the illustrious London venue in 2026 The Guardian - UK · Jun 5, 2025
Imelda Staunton and her daughter Bessie Carter: ‘I saw Mum on stage marrying a stranger and started to cry’ INTERVIEW: The mother and daughter make a marvellous pair on stage in ‘Mrs Warren’s Profession’. Claire Allfree sits down with the duo to talk Academy Awards, the Harry Potter reboot, and what younger actors can learn from the late Queen’s work ethic The Independent UK · May 25, 2025
Mrs Warren’s Profession review: 'why does it feel so mechanical?' 2/5 Imelda Staunton stars opposite her real life daughter Bessie Carter in a George Bernard Shaw production that tends to drag even with huge cuts Evening Standard · May 22, 2025
‘You wouldn’t pick us out as mother and daughter!’: Imelda Staunton and Bessie Carter on acting together for the first time Bridgerton star Bessie – soon to play Nancy Mitford in a new TV drama – and her mum, acting royalty Imelda, talk Sondheim, sandwiches and taking the stage together in Shaw’s sex worker scandal Mrs Warren’s Profession The Guardian - UK · Apr 13, 2025
The Guardian - UK · Mar 2, 2025 Hopeful or ‘hate-fuelled’? Film of controversial play about Israel gets London premiere Director says Seven Jewish Children by Caryl Churchill, which provoked fury at its first production in 2009, is a ‘family story’ at heart
Evening Standard · Jan 9, 2025 Dame Imelda Staunton and Bridgerton actress daughter to star in West End play Veteran theatre star Dame Imelda said doing the play is a ‘treat’.
The Guardian - UK · Jan 9, 2025 Imelda Staunton and daughter Bessie Carter to star in West End revival of Mrs Warren’s Profession The actors will share the stage for the first time in George Bernard’s Shaw’s drama about ‘the role of women in society’
Evening Standard · Jul 19, 2024 Hello, Dolly! at the London Palladium review: Imelda Staunton sparkles in this effervescent revival A production that floods the senses with brightness and fun
The Independent UK · Jul 18, 2024 Hello, Dolly! review: Good old-fashioned razzmatazz gleams brighter than ever Imelda Staunton brings heart and substance to this lavish feast, as Dominic Cooke’s revival of the 1964 show lights up the London Palladium
The Guardian - UK · Mar 20, 2024 ‘Am I playing Dolly Parton? I’m flattered!’ Imelda Staunton launches Hello, Dolly! in London Staunton reunites with Follies director Dominic Cooke to bring ‘old musical to a new audience’ at the Palladium in July
The Guardian - UK · Mar 12, 2023 Sophie Okonedo: ‘I’m a really emotional person – I sometimes feel like all my skin is off’ The award-winning actor on taking on the challenge of Medea, her love of cycling, and playing the long game in TV’s Slow Horses
The Guardian - UK · Mar 11, 2023 Greek tragedies like Medea are an ethical nightmare. That’s why we need them Ancient classics can reinforce patriarchal lies about women, but they also take us back to the origins of pernicious narratives, says Charlotte Higgins, the Guardian’s chief culture writer
The Guardian - UK · Feb 26, 2023 The week in theatre: Grenfell: System Failure; Medea; Trouble in Butetown – review Playground; @sohoplace; Donmar Warehouse, LondonRichard Norton-Taylor and Nicolas Kent’s second Grenfell drama is a shocking dissection of negligence; Sophie Okonedo breathes fire as Medea; and Diana Nneka Atuona brings wartime Cardiff to life
Evening Standard · Feb 18, 2023 Medea at @sohoplace review: a blazing Sophie Okonedo makes this spartan production a must-see Dominic Cooke’s staging of the Greek tragedy is gripping
The Guardian - UK · Feb 18, 2023 Medea review – Sophie Okonedo is magnificent as ancient Greece’s preeminent rebel woman Medea is as much victim as villain in Dominic Cooke’s psychologically subtle and subversive production, and Ben Daniels is superb playing all the puffed up men in her life