Nothing much comes of nothing in Belvoir’s new version of King Lear Since its first performance in 1606, King Lear has earned its place as Shakespeare’s largest and most revered powerhouse tragedy. The Conversation · Nov 21, 2025
Oil review – Brooke Satchwell and Charlotte Friels magnetic in Ella Hickson’s ambitious epic The audacious play leaps through space and time to tell the geopolitical story of crude oil through the lens of a mother and daughter as they reckon with their complicity The Guardian - AU · Nov 13, 2023