Amanda Curtin imagines fragile acts of care among the homeless in Paris
Amanda Curtin’s Six Days opens with a girl dying in a Paris cemetery in 1991, during one of the coldest winters the city has experienced in years. More than two decades later, another vulnerable figure emerges: Daniel Despard, an Australian expatriate, recovering alcoholic and building caretaker. His carefully regulated life…
The Conversation ·
The Conversation
