Macbeth at Shakespeare’s Globe review: radical, uneven and clumsy I really wanted to like this Macbeth more. Oh well: there’ll be another one along in a minute Evening Standard · Aug 3, 2023
The best theatre to see in September in London, from Waiting for Godot to Giant We’ve picked out London’s top stage performances to watch this month Evening Standard · Jun 20, 2023
‘Is it antisemitic? Yes’: how Jewish actors and directors tackle The Merchant of Venice Tracy-Ann Oberman’s Shylock, who has been relocated to 1930s Britain, is inspired by her tough great grandma – while Henry Goodman felt shame after losing himself in Shakespeare’s most notorious character The Guardian - UK · Feb 22, 2023
The Merchant of Venice review – heart-wrenching revenge remix Abigail Graham trims and reshuffles Shakespeare’s play with glitzy gameshow scenes and a brutal, lonely reckoning The Guardian - UK · Mar 3, 2022
The Merchant of Venice at the Sam Wanamaker Theatre review: a fresh look at a problematic play Abigail Graham’s production tackles the text’s antisemitism head on - and uses it to address other inequalities to boot Evening Standard · Mar 3, 2022
From The Merchant of Venice to Romeo and Juliet, how do we make Shakespeare less terrible in the 21st century? Is it time to put The Merchant of Venice to bed? A new production at Shakespeare’s Globe is attempting to re-frame it instead Evening Standard · Feb 16, 2022