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The Latest Breaking News on Movies

2023's Most Satisfying Thriller Still Manages to Surprise

Kenneth Branagh and his mustache are back in the latest adaptation of Agatha Christie's Hercule Poirot mysteries. Read our review of 'A Haunting in Venice.'

Inverse

Vicky Krieps on the feminist Western 'The Dead Don't Hurt' and how she leaves behind past roles

Vicky Krieps stars in Viggo Mortensen's feminist Western “The Dead Don’t Hurt” as a woman assaulted while her partner is away fighting for the Union army

The Independent UK

Mother, Couch! review – a first-rate cast gets lost in a second-rate muddle

Excellent performances from Ewan McGregor, Ellen Burstyn, Rhys Ifans and Lara Flynn Boyle are wasted on a baffling, surreal family indie

The Guardian - US

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read the most diverse news in one place.

Emma Stone-led 'Poor Things' wins top prize at 80th Venice Film Festival

“Poor Things,” a film about Victorian-era female empowerment, has won the Golden Lion at the Venice Film Festival

The Independent UK

Woman of the Hour review – Anna Kendrick directs an unsettling thriller

Actor makes directorial debut with the frightening fact-based tale of a woman on a 1970s dating show who meets a serial killer

The Guardian - US

His Three Daughters review – Natasha Lyonne shines in palliative care drama

Three sisters convene to say goodbye to their dying father in a detailed and intimate yet uneven drama

The Guardian - US

Dumb Money review – GameStop drama makes for a fun financial romp

The 2021 Reddit vs Wall Street saga gets a fast and fizzy big screen adaptation with an ensemble cast including Paul Dano and Seth Rogen

The Guardian - US

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You Need to Watch the Greatest Sci-Fi Movie Ever Made on Amazon ASAP

'2001: A Space Odyssey' hits differently in 2023 than you might think. Here's why Stanley Kubrick's cautionary sci-fi tale still works.

Inverse

Venice film festival 2023 week two roundup – Priscilla, Bernstein, refugees and hitmen

Emma Stone goes wild in a zany Victorian fantasy, Woody Allen gets one of the biggest laughs of the week, Carey Mulligan turns in a career-best performance – and the Golden Lion should go to Agnieszka Holland’s searing Green Border

The Guardian - UK

The Dead Don’t Hurt review – love blossoms amid violence in Viggo Mortensen’s western

The star directs, writes, composes and acts in this beautifully shot and sombre film about an old-school hero in a 19th-century frontier community fraught with tragedy

The Guardian - UK

From Past Lives to Shania Twain: a complete guide to this week’s entertainment

Whether it’s Celine Song’s directorial debut with notes on a marriage or songs to impress from country-pop queen, our critics have you covered for the next seven days

The Guardian - UK

Les Indésirables review – Ladj Ly’s clumsy social drama is a let-down

The award-winning director of Cannes hit Les Misérables returns with a muddled and blunt-edged film about underprivileged Parisians

The Guardian - US

Silver Dollar Road review – another Raoul Peck documentary triumph

The I Am Not Your Negro director’s adaptation of a 2019 ProPublica investigation effectively connects one family’s story with the larger scourge of legal Black land theft

The Guardian - US

Hayao Miyazaki invites moviegoers to dream with him one last time

The loudest applause on opening night at the Toronto International Film Festival was for Totoro

The Independent UK

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The Guardian - UK

Woody Allen: cheered on stage despite fog of accusation that won’t lift

Given rapturous applause at Venice, Allen has – like it or not – become an icon for post-#MeToo confusion around allegations and burdens of proof

The Independent UK

Director Pedro Almodóvar explains decision to turn down Brokeback Mountain: ‘I was insecure’

Groundbreaking gay Western starred Jake Gyllenhaal and the late Heath Ledger

The Guardian - UK

Coup! review – exuberant class-struggle comedy set in Spanish flu lockdown

The life of an idiotic leftist journalist, isolating in his mansion, is upended by the real world in the form of Peter Sarsgaard’s mutinous chef in this broad, fun caper

The Independent UK

5 reasons to go to the cinema in September 2023

Jacob Stolworthy runs through the cinematic events of the month

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The Guardian - AU

Best things to do in Australia this weekend: what to watch, read and cook

In a new weekly column, the team behind pop culture newsletter Saved for Later recommend their latest and/or forthcoming obsessions

The Guardian - US

The Boy and the Heron review – Miyazaki’s last movie is a fitting swan song

The 82-year-old film-maker’s final animation might not be up there with his greatest but it’s a sweet and soulful goodbye

The Times of India

Jawan makes box office history: SS Rajamouli heaps praise on Shah Rukh Khan; actor asks 'tell me if I can be a mass hero'

Ace filmmaker SS Rajamouli gave a big shout out to superstar Shah Rukh Khan, as his latest release 'Jawan' that scripted history at the Indian box office. Taking to his official Twitter handle, the 'RRR' director heaped praise on the Bollywood star saying, "This is the reason why @IamSRK is…

Inverse

2023's Most Potent Religious Thriller Reveals the Flaws of the MCU Franchise Model

The much-improved sequel to 'The Nun' is proof that there's still life in The Conjuring Universe.

The Times of India

James Prichard: A Haunting in Venice is probably Kenneth Branagh's best performance as Hercule Poirot yet - EXCLUSIVE

Kenneth Branagh returns to screens this Friday as the famous Belgian detective Hercule Poirot, his third instalment and most 'thrilling' take on the Agatha Christie novels. As fans of the franchise get ready to hop onboard a Gondola and sail to a haunted palazzo with an ensemble cast including Michelle…

The Guardian - US

North Star review – Kristin Scott Thomas makes a ho-hum directorial debut

There are impressive performances from Sienna Miller and Emily Beecham but this comedy drama of sisters coming together for a wedding is forgettable

The Guardian - UK

Can Fantastic Four save Marvel – and DC – from superhero movie malaise?

Comic book legends Mark Millar and David Ayer suggest the genre may have run out of road – can the 2025 return of the classic comic characters to the big screen change that?

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