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Most filmmakers in the Cannes Film Festival’s top-rung competition lineup are well-known directors who have been around for decades

As expected, Fast X dominated the box office on its debut weekend, but how much of its $340 million budget did it make up?

In her second feature, Petrol, Alena Lodkina delivers an original and uniquely Australian take on universal themes, proving why she is one of our most promising young directors.

The banal, systematic horror of Auschwitz is dealt with expertly by the English director

The ailing king’s misogyny is compellingly disturbing but Alicia Vikander is underused as his final wife

The Argentinian director Lisandro Alonso is back with another rewardingly weird journey into the unknown

There’s a bracing and chilly high-mindedness about Justine Triet’s psychothriller, about a suspicious death whose only reliable witness happens to be blind

LOS ANGELES — Universal Pictures’ “Fast X” raced to the top of the box office this weekend, launching at $67.5 million domestically, according to studio estimates.

Tunisia’s Kaouther Ben Hania joined early frontrunners for the Palme d’Or in Cannes with her haunting “Four Daughters”, about the decision by a group of teenage girls to join the jihad in Syria. Meanwhile, Africa’s “Cannes moment” continued with the timely screening of Sudanese drama “Goodbye Julia”, whose director spoke…

Cinematographer who played a key role in bringing a dreamlike quality to many scenes in the BBC drama Pennies from Heaven

Jason Momoa reveals that his purple Fast X car served as a way for him to troll his mother.