‘Emily the Criminal’ review: In a tough, lean LA crime story, Aubrey Plaza charges it all the way
There is no less specific, more generic phrase in film criticism than “documentary realism.” It assumes all nonfiction filmmakers work in the same style, toward the same intentions, while suggesting realism means, what, exactly? “Gritty” instead of “stylish?” Hand-held camerawork instead of fixed?
Chicago Tribune ·
