At the Boston waterfront sits the Institute of Contemporary Art, an architectural marvel that gleams against the harbour in a wealthy neighbourhood. My Uber driver, an African immigrant, remarks as I get out: “Be careful, this is an expensive area.” His comment hints at the subtle tensions of race and class in such affluent spaces, where one’s presence as an outsider is immediately registered. I assure him I’ve just come to see the art.
I’d come to see Zimbabwean artist Portia Zvavahera’s first solo museum show in the US, Hidden Battles/Hondo Dzakavanzika. This exhibition is a landmark moment of recognition for one of southern Africa’s leading contemporary artists.
When most artists are grappling with history and archives, Zvavahera is focused on the dreams and visions she has, not as a retreat from the past or the urgency of the now, but as a parallel form of knowledge.
