We’re living in a whodunit renaissance, and it’s hard to pinpoint where it started. Maybe it was the classic Agatha Christie adventures in Kenneth Branagh’s passion projects Murder on the Orient Express and Death on the Nile. Maybe it was the intriguing drama in the otherwise comedy-focused The White Lotus, or the slow burn of Mare of Easttown. And, of course, there was the star-studded ensemble assembled for Rian Johnson’s updated whodunit, Knives Out.
