The Barbican’s boldly curated exhibiton of abstract expressionist Lee Krasner (1908-1984) – who was routinely referred to as Jackson Pollock’s wife, despite being a well-established artist long before meeting him – transferred to the Guggenheim Bilbao in 2018. Before it opened, a Spanish newspaper invited me to introduce this “little known” artist. I responded: “Welcome to a party that we feminists have been enjoying for 50 years.”
