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Chari Larsson, Lecturer of art history, Griffith University

With affection and humour, Patricia Piccinini probes the boundaries of human and other

Patricia Piccinini, Kindred 2017, Silicone, fibreglass, hair, Ed. 1 of 3, 103 x 95 x 128cm Courtesy the artist, Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney; and Hosfelt Gallery, San Francisco. Natasha Harth, QAGOMA.

Patricia Piccinini’s sculptures are deeply disquieting. Walking through Curious Affection, her new solo exhibition at Brisbane’s Gallery of Modern Art, is akin to entering a science laboratory full of DNA experiments. Made from silicone, fiberglass and even human hair, her sculptures are breathtakingly lifelike, however, we can’t be sure what life they are like. The artist creates an exuberant parallel universe where transgenic experiments flourish and human evolution has given way to genetic engineering and DNA splicing.

Patricia Piccinini. Phoebe Powell
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