In September the Pompidou Centre in Paris closes for five years for renovation. The building is nearly 50 years old and needs to be cleared of asbestos, and to reconnect with Renzo Piano and Richard Rogers’ original design after years of architectural accumulations. Many of the departments are already moving into temporary new homes, including the huge Bibliothèque publique d’information, the public library usually based on the second floor. Nearly all of its contents have been emptied out, but before it’s stripped back altogether, Wolfgang Tillmans has been invited to deconstruct it another way. His show, Rien ne nous y préparait – Tout nous y préparait (Nothing could have prepared us – Everything could have prepared us) covers all 6,000 sq metres of the space.
It’s an inspired setting because Tillmans’ work circles around questions of information. He makes documentary photographs but questions the parameters of photographic vision. In his ongoing Truth Study Center he collates newspaper cuttings, photographs, photocopies, drawings and objects on trestle tables, encouraging viewers to consider these elements and their claims to veracity; his installations are always site-specific, and take a nuanced approach to display. Situated in the Bpi, Rien ne nous y préparait – Tout nous y préparait is a meditation on knowledge, how it is organised, and where its limitations lie. “I do trust my eyes, I want to trust observation, study, but for that it is very important that I sharpen my eyes to how I see, how we record, what we capture,” says Tillmans.
