In Ang Lee’s adaptation of Sense and Sensibility (1995), the handsome cad Willoughby (played by Greg Wise) rescues Marianne (Kate Winslet) on horseback in the middle of a raging storm. Pathetic fallacy has rarely looked so good.
Marianne locks eyes with him and falls passionately in love. In Austen’s version, though, it is Marianne’s mother and sister who first register his attractions. “The eyes of both were fixed on him with an evident wonder and a secret admiration … his person, which was uncommonly handsome, received additional charms from his voice and expression.”
Willoughby has “exterior attractions” that the two women quickly notice. Once Marianne can master her own confusion, she rapidly constructs him in her mind as the ideal romantic protagonist.
