Was a Michael Jackson jukebox musical really such a good idea? When MJ the Musical opened in London last week, it was praised for its gravity-defying dancing and raft of floor-filling megahits. But one glaring oversight was unfailingly remarked upon. “In MJ,” ran the New York Times headline, “no one’s looking at The Man in the Mirror.” The show, it added, told the story of Jackson, “except for the big story”. As Anya Ryan put it in the Guardian’s two-star review: “It is hard to ignore the repeated allegations of child sexual abuse. Yet Lynn Nottage’s script does just that.”
Almost five years after Leaving Neverland, in which two men accused Jackson of sexually abusing them when they were children, it seems not everyone has got the message that the star is “cancelled”. In fact, to all intents and purposes, Jackson is not cancelled at all. That’s certainly what the money suggests, with Sony recently buying half of his back catalogue for a figure believed to be around £500m. Then there’s a forthcoming biopic starring Jackson’s nephew Jaafar in the lead role. According to Billboard, the Jackson estate earns around £60m a year from his music, royalties, theatrical shows and merchandise.
