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Chicago Sun-Times
Chicago Sun-Times
National
Richard Roeper

‘Where the Crawdads Sing’: Arrest draws a recluse out of her wetlands isolation in uneven but well-acted period piece

Abandoned by her family at age 6, Kya (Daisy Edgar-Jones) grows up on her own in a North Carolina cabin in “Where the Crawdads Sing.” (3000 Films)

You’ve never seen a Marsh Girl as attractive and kempt and impressive as the Marsh Girl in “Where the Crawdads Sing.” Even though she has lived all by herself in a rudimentary cabin deep in the wetlands for the better part of a decade with no formal schooling and very little social contact, she looks like she stepped out of a Sears catalog and apparently shaves her legs, bathes and shampoos on a regular basis, has lovely white teeth, and get this: She’s such a brilliant observer and student of her surroundings, such a talented artist, that she just sold a book of her drawings of seashells to a publisher and received a nifty $5,000 advance, and this is in 1969 so that’s about 40 grand in today’s dollars. Marsh Girl has it going on!

And yet when Marsh Girl is literally hauled out of the water and charged with the murder of a local young man named Chase who is a former football hero, practically everyone in town is convinced she’s guilty, because after all, she’s that weirdo Marsh Girl, aka Missing Link, aka Wolf Girl. Nothing but a savage, they’ll tell ya. Of course she murdered Chase, because she knew she wasn’t good enough for him.

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