Leonardo Van Dijl smiles: “If you told me a year ago that I’d be speaking to the Guardian, I’d have asked: ‘What about?’” Last May, the 34-year-old from Belgium took his debut film Julie Keeps Quiet to Cannes. (Where, he says, everyone was much friendlier after a four-star review in the Guardian.) Ever since, he has been living out of a suitcase, grabbing five or six hours’ sleep. It’s not just media interviews and Q&As keeping him busy: “We are a small movie. I’m the in-house graphic designer. I do the social media …” He stops, looks down at my phone, recording. “But I don’t really want to talk about that. I’m grateful, and it’s not that interesting.”
What Van Dijl really does want to talk about is the urgent issue his film raises about safe spaces for children. Julie Keeps Quiet is a tense psychological drama about a talented 15-year-old tennis player called Julie, played by real-life tennis ace Tessa Van den Broeck in her first acting role. When Julie’s male coach at her tennis academy is suspended after the suicide of a teenage girl he trained, pressure falls on Julie to speak up. After all, she’s his new favourite.
