
Trent Reznor was working as an assistant engineer, janitor and all-round dogsbody at Right Track Studios in Cleveland, Ohio when he wrote and recorded the song that would put Nine Inch Nails on the map.
That track, Head Like A Hole, would hit the sweet spot between the confrontational industrial noise of Ministry and Depeche Mode’s stadium-sized electronic pop, turning the man who wrote it into the dark prince of early 90s alt-rock.