
The new sci-fi musical “Neptune Frost,” set in a Rwandan village constructed with computer parts, tells the story of an intersex hacker and a coltan miner who lead an anarchist uprising against their oppressors.
The film – lauded for its “Afrofuturist vision” – is only one of the more recent works to engage in the transformative speculation of Afrofuturism, a cultural movement that pulls from elements of science fiction, magical realism, speculative fiction and African history. Undergirding this movement is a longing to create a more just world.