Sri Lankan poet-turned-author Michael Ondaatje’s 1992 novel “The English Patient” is a lyrical, highly detailed exploration of love across the decades and how its sacred qualities overcome time and geography. Written in a fragmented, poetic style by Ondaatje, the novel tells the story of a World War II nurse named Hana (Juliette Binoche in the movie) caring for a severely burned man (played by Ralph Fiennes in the adaptation) suffering from amnesia. With the help of a thief named Caravaggio (Willem Dafoe) who has lost his thumbs, and a Sikh bomb expert (Naveen Andrews), the trio learn about the burned man, dubbed “the English patient,” and his past, which includes an affair with the beautiful and wealthy Katharine Clifton (Kristin Scott Thomas).
Because of Ondaatje’s specific writing style, director Anthony Minghella found the task of adapting the novel daunting: “Its gifts, in a way, are very elusive and are very much connected with the beauty of language, which is probably the thing that the film is least good at conveying.” Ondaatje worked on the script with Minghella, sharing the belief that most people seeing the movie never read the book in the first place. The book’s events happen over several years, and rather than focus on complex themes of national identity and the fluid connections between time and history, it made more sense for the movie to situate the love story between the English patient and Katharine as the primary narrative, with a parallel romance between nurse Hana and bomb expert Kip.
