It features two panthers speaking into the ears of a 1960s model who appears to be a vintage-inspired woman with blacked-out eyes, bright pink lips and slicked-down hair.
“The tongues coming out is like they’re telling a story or giving you advice,” Franco says. “They’re saying something. But it’s up to the viewer to see what are they saying.”
“I get inspired a lot by vintage posters, vintage fashion, patterns,” Franco says. “The girl that you see in the mural is from a 1960s mod ad.”
She’s wearing what at a glance might appear to be earrings but actually are the talking panthers.
Spotlighted by two yellow circles, the big cats seem to be speaking ferociously into her ears — as told by the blue beads of spit that Franco added around their mouths to signal the feeling of “when you’re speaking very powerfully or you’re speaking about something you’re very excited about.”
The panthers’ tongues twist and turn all the way to the top of the mural, enclosed by quotation marks at the top and the bottom of the piece.
Franco created “Le Panther” as a character in 2017 and has incorporated it in many of her pieces, from murals to screen prints.
They’re a representation of human evolution, Franco says, a voice that guides us through all the stages of life.
“They’re evolving with every stage that you go, every transition, every chapter in your life,” she says.
She painted the mural at the end of 2020, as the COVID-19 pandemic raged. Nicolas Fonté, another Chicago artist, asked her to add her art to the wall on the building that houses Nighthawk, a cocktail bar.
Franco, who lives in Rogers Park, grew up in Logan Square. She says she wanted to make something that would inspire kids to create the way graffiti in her neighborhood did when she was young.
“As a little girl, when I lived in Logan Square, we didn’t have a car, so we would always take public transportation, or we would walk everywhere we had to be,” Franco says. “I would always see graffiti in the streets. And what would catch my eye would be the colors and the flow of the letters, the space that they use, the building, how it looks different when they added their stamp to it.”
She has a 9-month-old daughter, which helps inspire her art.
“As a little girl walking around with my family when we went to run errands, it really captivated me and got me wanting to go back home and draw,” Franco says of the graffiti she’d see growing up. “I want that to be an experience for another little girl or little boy to see and want to create.”
