When some of the mind games and manoeuvres that turned a Murdoch family “retreat” into an ordeal appeared in Succession, the TV drama about squabbling family members of a right-wing media company, members of the real-life family started to suspect each other of leaking details to the writers. The truth was more straightforward. Succession’s creator, Jesse Armstrong, said that his team hadn’t needed inside sources – they had simply read press reports.
Future screenwriters have been gifted a whole load of new Murdoch material in the past few days, after two astonishing stories in the New York Times and the Atlantic lifted the lid on the dysfunction, paranoia and despair at the heart of the most powerful family in global media.
