As 1968 came to a close, the Beatles were for the first time in a state of creative limbo. In late November of that year, they’d released The Beatles, their sprawling double-disc effort popularly known as the White Album. The record showed an impressive creative breadth, yet it revealed the band’s lack of focus with its assortment of disparate songs, many of which were recorded without the participation of the full band.
While the White Album was an unqualified success at retail, critics were sharply divided in their estimation of it. Nowhere was this more evident than in the New York Times, where it was deemed a “major success” by one reviewer and “boring beyond belief” by another.
