Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Guardian - UK
The Guardian - UK
Entertainment
Martin Kettle

Art and politics are not the same thing – but the Anna Netrebko case shows what happens when they collide

Cellist Mstislav Rostropovich plays in front of the Berlin Wall as crowds celebrate its fall in November 1989.
Cellist Mstislav Rostropovich plays in front of the Berlin Wall as crowds celebrate its fall in November 1989. Photograph: Action Press/Shutterstock

It is one of my very earliest concert memories. In October 1965, my father drove us to Manchester to hear Mstislav Rostropovich play in the Free Trade Hall. Rostropovich played Dvořák’s cello concerto with the Moscow Philharmonic, who began the concert with a symphony by Tikhon Khrennikov and ended it with one by Brahms. I was smitten by Rostropovich’s noble playing. I had never heard a musician like him before.

This was, though, a concert taking place slap-bang in the middle of the cold war. The Cuban missile crisis had taken place less than three years earlier. The Berlin Wall was still fairly new. The Vietnam war was deepening. That summer I had read The Spy Who Came in from the Cold. The movie version of Le Carré’s novel, with Richard Burton, was due out by the year’s end.

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.