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Hannah Silver

Wayne McGregor on turning a post-apocalyptic trilogy by Margaret Atwood into a three-act ballet with Max Richter

Two men in blue and black pictured together.

Wayne McGregor is the master of creative collaborations. As resident choreographer at the Royal Ballet in London, a position he has held since 2006, he has translated an eclectic roster of literary, avant-garde and contemporary references into works for the stage (along with costumes in collaboration with Grace Wales Bonner and with Burberry), as well as taken the helm on film, TV, fashion and music videos projects, and founded his own London-based studio.

His latest project is an adaptation of Canadian author Margaret Atwood’s trilogy of novels, Oryx and Crake, The Year of the Flood and MaddAddam, into a three-act ballet. The project marks 16 years of his partnership with composer Max Richter, whose haunting, post-classical music is the soundtrack to Atwood’s post-apocalyptic nightmare.

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