‘There’s a place in Italy in need of someone. Why don’t you look into that?” Inspired by his two-year stint directing a writers’ residency, the Santa Maddalena Foundation outside Florence, with these words American author Andrew Sean Greer launches a hapless, clueless innocent into the Tuscan hills and the embrace of its eccentric aristocracy, in the person of the eponymous Coco, Baronessa Lisabetta.
Variously known as “our young man”, Gio and Giovedi, Villa Coco’s narrator is here to fill the post of “adjutant” for the Baronessa. His duties include pruning roses, emptying drains, hunting the Baronessa’s mortal enemy, the pine marten, and cataloguing the dilapidated Villa Coco’s contents. Among the camel saddles and hat racks, he is assured, lurk priceless works of art, including a Picasso and a Botticelli. He joins a staff consisting of a Sri Lankan cook, her husband and a Lebanese factotum; they share in the sisyphean task of keeping Villa Coco going, and the Baronessa out of harm’s way.
