You could almost definitely trace back an ungodly percentage of my music taste to the games I played growing up: Skindred's ragga metal in Need for Speed Underground 2, Hayley Williams' Simlish rendition of Paramore's Pressure in The Sims 2, and approximately 95% of the catalogue each Guitar Hero game had to offer.
I still remember the first time I heard Ozzy Osbourne's Crazy Train in Guitar Hero World Tour: a rare family holiday gathering in an uncharacteristically fancy Scottish cottage as I smacked away on the plastic drumkit that I'm sure my old man regretted buying me that Christmas, while my cousin attempting a vague Ozzy warble on the microphone.
