I would love to tell you that I was first introduced to dance music in underground Berlin clubs, where mysterious resident DJs blew my teenage mind performing indescribable magic with beats and synth lines. But that would be a lie. My first introduction to dance music came in the form of a futuristic 90s racing game called WipEout. Playing obsessively at a friend’s house, I was introduced to the Chemical Brothers and Orbital, who both graced the soundtrack; not long after, the admirably chaotic sim Crazy Taxi introduced me to the Offspring, and Tony Hawk’s Pro Skater had me grinding around to Bad Religion. I first heard Garbage on the soundtrack of an obscure PlayStation 2 DJ game, 2003’s Amplitude, made by a Boston developer called Harmonix – the same developer that would later go on to create the insanely popular Guitar Hero series. Those games sold 25m copies, and I know I wasn’t the only student who unearthed a previously undiscovered love for cheesy dad-rock while tilting a plastic guitar to the heavens during Boston’s More Than a Feeling.
Although I may be showing my age with these piping hot cultural references, video games are still a primary outlet for discovering music – especially among kids and teens, a full 90% of whom game regularly. In many ways, we’re in a golden era for gaming as a discovery tool. You might find a new favourite band in CHVRCHES after hearing their moody theme for expensive arthouse game Death Stranding, or discover Lil Nas X from his anthem for the League of Legends 2022 world championships.
