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The Guardian - UK
The Guardian - UK
Lifestyle
Hettie Judah

Victorian Radicals review – a riveting rethink for the trippy, cosplaying pre-Raphaelites

A detail from Dante Gabriel Rossetti’s unfinished painting La Donna Della Finestra, a portrait of Jane Morris.
Powerfully androgynous … a detail from Dante Gabriel Rossetti’s unfinished painting La Donna Della Finestra, a portrait of Jane Morris. Photograph: Photo by Birmingham Museums Trust, licensed under CC0

After four years of closure, the Birmingham Museum and Art Gallery has partially reopened to welcome the city’s pre-Raphaelites back from a tour of the US. Victorian Radicals: From the Pre-Raphaelites to the Arts and Crafts Movement features familiar crowd-pleasers. Henry Wallis’s tiny portrait of Chatterton (1855-56) shows the poet sprawling exquisitely on his deathbed in modish mauve britches. Frederick Sandys’s furious wronged Medea (1866-68) clutches at her coral beads as she mutters incantations over her crucible. In other paintings, models Jane Morris and Fanny Cornforth give good hair.

Frederick Sandys’s Medea.
Muttering incantations … Frederick Sandys’s Medea. Photograph: Birmingham Museums Trust, licensed under CC0
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