Time Traveler is the title of the indefatigable Ute Lemper’s current short UK tour and also that of the new album of songs she herself has written. Lemper is mostly labelled a chanteuse, but she has always been multifaceted: singer, actor, dancer – for whom Maurice Béjart choreographed a ballet – an exhibited painter in her native Germany, cabaret artist, and now composer, too.
Seemingly prompted by a “big birthday” – her 60th – last year, a period of musing on life, loves, hopes and glories, was set in train. Songs emerged naturally, reflected particularly in the title song Time Traveler and also At the Reservoir, a favourite place in New York, long since her home. Yet Lemper also pointedly invoked Germany’s history; a potent moment came when listing the iniquities of 1924 Weimar – with whose music Lemper is particularly associated – and the suggestion that, a century on, things are actually still the same. Reaching the final line of Pete Seeger’s Where Have All the Flowers Gone? there was real anguish: When will they ever learn? Lemper whispers: “Never!”
