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The Guardian - UK
The Guardian - UK
Entertainment
Philip Oltermann European culture editor

Ukrainian film-maker criticises EU after it cuts Venice Biennale funding over Russia controversy

Still from Imperium that depicts a street parade of people holding up hammer and sickle flags
Loznitsa’s new documentary Imperium uses archival footage from the early 1970s filmed in the former Soviet Union. Photograph: Essential Filmproduktion, Kino Produzioni, Société Parisienne de Production, Studio Uljana Kim - footage courtesy of AAMOD

One of Ukraine’s most acclaimed film-makers has criticised the European Commission’s decision to cut off funds to the Venice Biennale over the opening of Russia’s pavilion, likening it to “a punishment in kindergarten”.

The Biennale drew heavy criticism this spring when it allowed Russia to use its pavilion for the first time since 2022, despite the ongoing full-scale invasion of Ukraine.

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