Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Conversation
The Conversation
Monika Wright, Doctorante en histoire de l'art, Université du Québec à Montréal (UQAM)

Two portraits, two destinies: How Otto Dix’s works ended up in Canadian museums

Adolf Hitler started organizing major campaigns to loot avant-garde works of art as soon as he came to power as Chancellor of the National Socialist Party in 1933.

Labelled “degenerate,” the works were first confiscated from German museums and then from private collections. Jewish art owners, in particular, were targeted. When the Second World War broke out, the occupied countries were then stripped of their cultural property.

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.