‘We’re going to need more wallpaper” turns out to be the Nordic answer to “We’re going to need a bigger boat”, after a 50-metre troll has just swept a leg through someone’s soon-to-be-renovated house. When the quips revolve around interior design, you know Norwegian big-budget film-making is taking a softer path than its raucous American inspirations.
This is a Netflix sequel to Norwegian horror comedy Troll with the original director Roar Uthaug returning, and home is clearly a theme dear to the franchise’s heart. The first film’s Scandi-kaiju was returning to its roots, on a mission to trash Oslo. But the new “megatroll” – looking like Danny McBride in the throes of a full-body fungal infection – is headed for Trondheim, bent on revenging itself on the nation’s founding father and chief troll-scourge, King Olaf. Trollogist Nora (Ine Marie Wilmann) and ministerial adviser Andreas (Kim Falck) return, again trying to hold the authorities back from simply lighting up the enraged behemoth after it escapes from a government black site.
