When HBO launched Lena Dunham’s Girls in 2012, it followed shows such as Buffy (1997-2003), Sex and the City (1998-2004) and Gossip Girl (2007-2012), which had all set a standard of shiny, sanitised female representation that was both attractive and palatable to a wide audience.
The grubby realism of Dunham’s New York twentysomethings, on the other hand, offered a surprising authenticity for some. But for others it was too messy, too white, too privileged and too authored around Dunham’s own life.
Although younger characters are often categorised by self-absorption and poor judgment, the “realness” of Girls was still challenging for many viewers. In particular they struggled with Dunham’s own character, Hannah Horvath, an aspiring writer frequently making personal and professional mistakes. She made for an unlikely – and often unlikable – heroine.
